卧龙战警

《卧龙战警》Havi==ng w][i@tnessed his ju\([#nkie father kille/;d Russe`l_%_l ) ^Stevens  ,gro*-=ws up to beco \me a poli/`\c eman and;[  %make a(\ -$difference. Wh!%/e(@n he is o+!`+@ffered*^ an und@`]ercover j[ob by Gerald Carver he .acce [@@pts and[ begins to build a relat%,)ionshi=p with David= Jaso\#n in/ order to get[; to the main \d]ealer%s. Howeve^[(r ]as he i!s @ forced to]  deal  drugs an@d kill to keep his c\over he _finds the ]lines betw$ 
een cop and cri^m..inal be,@^,in=_(g* lo;_*st –* is ]he #
`a`
c ]`o pretend-]);ing to be `!;a  d$eal-e*]r or a d*;ealer p@/rete nd!in[g[% to be a $co$p　　Lar#ry (as he was then) Fishbu=rne's*, @/f/ irs+t lead rol-*e #+w@a@$s a typi!cal ly ;%_[dark vehicle. +Th-
e s!$ tory is t/=?he ?_@usual one=/ of cop losing hi:mself when u:n%dercove+r, howev;e%r it m]?anages to b!#e more than t ;$hat $\(for mo\st of)+:
 the time. Co-written by Tolkin, who w(;rote\ The Pla-yer, this #,natura)lly has a ni]ce c*ynical edge to it when it loo: %k` s -:+;at[ the US's hypocritical approa@[-ch to dr:!%ug,) control *!`a+(#.n`d th/@e po`litical links between the st::reet hust\)lers an?\^d t]_he politica%l high r;!.`olle#r=(s who co urt re=\spect( ab$i [lity. Th!^@e(:+* sto ry doe!(s ?,;ev.%entuall/;#y settle) into a trad*
itio n ^a$l sett%`ing but even* then it works well* as a ^thriller.　　The mult:i-talen%*=ted Bill Duke dir/ects well with a #gr[+itty feel and a few nice touches. Howeve!r sever/!al ,$thing =s are ``a bit iffy\. F%@or mo?@st of+ t\,[
h;?e fi_( lm Fishbur[ne's narrationvoice ov: : er (is ?+/a bit lik^;e a :cr=oss betwe_
!/#e_(?n Apoca-lypse Now and : B#la\ de Runner – it[ c?omes across as a little / too: dark and heavy an;d also e`-,%#xplain?\^s (./ thi(/ngs like we_\ can't _$figure i_t out=+
 o _%urselve[-*[s. ]However once yo_+u?[ get into th 
]e film it's not *as/ big a $^-deal. My[ main problem li.[es with .;the* characters.　　;Fishbur^? ne is e_x ce ^llent, a real m+odel of@@ un.derl^@[ying_] anger an@@+d violence, Goldblum i s good bu^^t perhaps a little OTT on the .` yuppieviole nce thing /., but the#$re's = good support fr_
om Smith
@a(*#nd`*,^ Spi#n City's] b eau.,tifu/l/ (an:d often underuse ,/d – b]]$ut` [  [not h[ @@ere)  Vict?/]#oria Dillard. However t`#he$[ two main whit\#e - char_a:,c\)%ters (G#%oldb*@!_lu:m and Smith)  are b!;
oth sm eared\% :*w=ith ;ra]?cis? t insinu at#^ions – Smith appea!rs to insult hi*;@ s blac #k officer:s and doesn't care about the junkies, w%;hil!)+ e Gold)%blum is ]f!ascinated ab%out al`l things! b=lack  and(^ tal],ks about t, hem as wild?)) beautiful-@ beasts[ and_ . l]ov #
es hav_ing^$ sex with black\#'. These- things ar\ \en't a major problem#^, but\ with] b.asica%^lly only two whi)te;  ch-aracters in it, it's a l^=\itt^-le w.^]orrying that both@_\ ar# e g;/iven )that ^! edge.　　H^
ow`ever t.(hese are minor comp:$=la`)ints t#;*hat get l[,ost with a good thrille]=.r. F@^/%ishburn e _]]excels and %?D#uke^ de@,liv]ers \a sto#\%ry that is a good thriller ?but als^o has a jaded*, )su]bversive edge.