飘零双燕

飘零双燕

剧情片2002年法国HD中字

Magdal^e.`na# and (M%=aria are t!wo twin s]iste(!#rs who were(%# separated at +birth an$*d $k\now nothing o_#f the other’s existence.-. Ma,ria run$]-s aw^ay from th)$e boarding school in which she w=] as b:?rou

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剧情简介

《飘零双燕》讲述的是什么故事？

《飘零双燕》Magdal^e.`na# and (M%=aria are t!wo twin s]iste(!#rs who were(%# separated at +birth an$*d $k\now nothing o_#f the other’s existence.-.  Ma,ria run$]-s aw^ay from th)$e boarding school in which she w=] as b:?rought ?up@^ an(d finds work as a cabaret performe%r in+;, the cafés of Marseil!)le/.s.  Magda;.!lena lives wit] h :her adopted pare;nts and works in an art gallery.  The two sisters a]re joined _by an invisib.;\*le b \ond w)-hich?\ dra\%; ws them?; @. /towar_ds the sa!_m@e tragic concl$usion.,:]:+　　Director Werner S!_*ch$roet=er has- a()cquired a reputation) as a n@!.% experi +me.nta]lis]t filmmaker, hailed by some as an underr ated ge nius, reviled by!`# ^o@-the//rs for being a`) p!eddler (?o+`_f self-^_i]ndulgent kitsch. - Deux is arguably Sch^``r,oet$)er^^’s m !;ost ambi*tious, un settli n+g and :repuls i;ve work to date.  The#? d$irector/! * certainly w!+$aste@,s_ no time in a+  l!ienating h[is audie`%nce; from the f= ??irst te.n min/*utes^ of t/^he%[$ f \ilm /it \=:i)@s c,/l*(ear t his is:# not goin`g to be \an easy rid;#,e.  The n?#arrative cu%@ts hap,hazardly_ b/]etw?)e^]!_en seemingly un^$^c onnecte[%d !@e()ve= n,*@ts, alternat#^@`ing between r-ealism an:d stylised fantasy dr\$,eam seque nces, periodically shocking th)/e^ s^ !pecta_-tor with graphic images of les)`bi` a=^n sex` and a woman being slo-#wl* %y disemb: owelle?.d. -]^ Havin-g ]-+several actors p%la +ying m,#ulti!ple parts only ad==ds to +`t*`he sense of- ,:`art+^% ific;/e and) utter confusion, _:-w[hich is a pi *,ty a=/])s t!+here #is man*?-ife\st:@ly \=a lot /^of gr eat a*cting *.?ta; lent on show – not- ?%)leas#,:t of which ;is Isabel \[le Hupp^ ert.  The f !@ilm’s sheer rel-\=#_entl-#;)ess grotesq]_uen]_.ess  %a`nd self-indul!:]:ge!nce i+s so: \ +[ extreme, so unbridled, s`o stomac\:h-churningly p.rovocat\$ive], that :*%^it is hard?% to take any of it seriously.

一、《飘零双燕》是哪一年上映的？

《飘零双燕》是沃纳·施罗德于2002年拍摄的一部经典剧情片。此片开创法国当代剧情片的先河，《飘零双燕》上映时票房稳坐前三，创下当年纪录。当时伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer均为最佳主角，伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer以精彩演技和突出形象，奠定在法国影坛地位。伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer饰演角色造型多年后仍为人所模仿。沃纳·施罗德之前曾被人怀疑其能力，而《飘零双燕》却奠定沃纳·施罗德剧情片风格。《飘零双燕》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2002年代）法国（法国）优秀剧情片齐名。

二、被称为剧情片的开先河之作的《飘零双燕》，是沃纳·施罗德最好的作品吗？

从沃纳·施罗德斩获剧情片最佳导演，我就觉得这部《飘零双燕》是他最好的剧情片。虽然沃纳·施罗德后来还拍出了评价特别好的剧情片，但是《飘零双燕》依然是他剧情片题材中的代表作品。

三、《飘零双燕》为什么可以成为经典？

提起法国，人们就很容易想到《飘零双燕》。这部由沃纳·施罗德导演、伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer主演的《飘零双燕》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《飘零双燕》中的人物心理历程与现实处境彼此映照，也成就了它在剧情片题材中的经典地位。

四、如何评价《飘零双燕》？

《飘零双燕》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《飘零双燕》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部剧情片作品被反复讨论的原因。

五、《飘零双燕》剧情片的主要内容

《飘零双燕》是一部剧情片作品，由沃纳·施罗德执导，主演包括伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim,Fischer等。

《飘零双燕》Magdal^e.`na# and (M%=aria are t!wo twin s]iste(!#rs who were(%# separated at +birth an$*d $k\now nothing o_#f the other’s existence.-. Ma,ria run$]-s aw^ay from th)$e boarding school in which she w=] as b:?rought ?up@^ an(d finds work as a cabaret performe%r in+;, the cafés of Marseil!)le/.s. Magda;.!lena lives wit] h :her adopted pare;nts and works in an art gallery. The two sisters a]re joined _by an invisib.;\*le b \ond w)-hich?\ dra\%; ws them?; @. /towar_ds the sa!_m@e tragic concl$usion.,:]:+　　Director Werner S!_*ch$roet=er has- a()cquired a reputation) as a n@!.% experi +me.nta]lis]t filmmaker, hailed by some as an underr ated ge nius, reviled by!`# ^o@-the//rs for being a`) p!eddler (?o+`_f self-^_i]ndulgent kitsch. - Deux is arguably Sch^``r,oet$)er^^’s m !;ost ambi*tious, un settli n+g and :repuls i;ve work to date. The#? d$irector/! * certainly w!+$aste@,s_ no time in a+  l!ienating h[is audie`%nce; from the f= ??irst te.n min/*utes^ of t/^he%[$ f \ilm /it \=:i)@s c,/l*(ear t his is:# not goin`g to be \an easy rid;#,e. The n?#arrative cu%@ts hap,hazardly_ b/]etw?)e^]!_en seemingly un^$^c onnecte[%d !@e()ve= n,*@ts, alternat#^@`ing between r-ealism an:d stylised fantasy dr\$,eam seque nces, periodically shocking th)/e^ s^ !pecta_-tor with graphic images of les)`bi` a=^n sex` and a woman being slo-#wl* %y disemb: owelle?.d. -]^ Havin-g ]-+several actors p%la +ying m,#ulti!ple parts only ad==ds to +`t*`he sense of- ,:`art+^% ific;/e and) utter confusion, _:-w[hich is a pi *,ty a=/])s t!+here #is man*?-ife\st:@ly \=a lot /^of gr eat a*cting *.?ta; lent on show – not- ?%)leas#,:t of which ;is Isabel \[le Hupp^ ert. The f !@ilm’s sheer rel-\=#_entl-#;)ess grotesq]_uen]_.ess  %a`nd self-indul!:]:ge!nce i+s so: \ +[ extreme, so unbridled, s`o stomac\:h-churningly p.rovocat\$ive], that :*%^it is hard?% to take any of it seriously.

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