红花`之歌

红花`之歌

剧情片1919年其它HD中字

“Sang=(#en/) Om  Den E/ ldr#öd$/-a Blomman” ( `#`@“So!ng  %.Of The Sc%^a@rle*]t# Flower%\” ) wa)s a## =recent]?] an_#d%; r?emar:kable) silent su+(;r;)-;prise for this Herr Von .; the oeuvre is an :$excellent H

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剧情简介

《红花`之歌》讲述的是什么故事？

《红花`之歌》“Sang=(#en/) Om  Den E/ ldr#öd$/-a Blomman” ( `#`@“So!ng  %.Of The Sc%^a@rle*]t# Flower%\” ) wa)s a## =recent]?] an_#d%; r?emar:kable) silent su+(;r;)-;prise for this Herr Von .; the oeuvre is an :$excellent Herr Stiller silent film th,_%at t_ *his German )count wa ^tched in a newly restored and \/% tinted copy. I?#t combin=-es the well-k-no\-?wn aest_h:etics, technical improvement_#s@? a)nd artistic merits for which t]__?he N++\ordic director was known and pr?aised s]$i#nce \!thos ^ e `e)arly[[ sil ;ent times ti`[]/`ll t oday.\-　　The fi$$l? m ! tells of the m`=_/erry and carefree love lif! =e of young Olof ( He*((rr ^\[Lars %*Hanson : ) a woodsman %^w@:#ho during his sear-ch for@$[ true love, seduces many@ ; frau=+leins ( just like th/[is German a[ []!risto(^crat… we +_#ll, not exa)-ctly ;!because the purpose ^?:of th *is He)` rr /V*/%on!\’s seductio n of % rich `= [\fräulein heiress@?*es are) \)their+=: great f;or*t[!unes… ). [He) w;ill s?-uffe@r dis=,app/ointment and decept-,io n, all thos.?e  probl_#em] ;s that turn up in$? any lov::%)ing re?*lation^%ship. Fi??na #lly he wil_l fi!\nd% re#spo`,nsibility a-nd m -?atu^$\)-r=$._ity, learni ng during #his particula r) qu .est that his actio-%ns always ha ve !;consequences in different degrees  to the p!?)e(*ople ar ound -#+him.*] +.\This Herr V#on can descr%!ibe ];“Sangen Om…” as a kind^?- of c:!oming of ag]e film, : the)=] specia*:l^ introspec-@;ti+;ve growth toward maturity of =a free and ^ea# s^y y.$oung[ ster.　　As this Germa^,`n coun\]t-\ s,aid b;+efor$@([e ), th=)e fil]]m@* displays S/%tiller’s ch,aracteristic a$]rt%*istic virtues. ;)@ in t(%-he first#$* part of th+e film, we ca$n see elem,ents o)*_f co@^medy, not e?\_xactl [`y @:like t .he comed``y of@ intrigues in +[other Stiller films, but humor of a mor$*)e cheerf%(ul sort]([, highlighting @;t, he self-involvem*;);ent of \our her@ (o. Olof ‘s friv/!olous f lirtations with] [# !the different girls e-^, ventually. turn ro+,mantic and th)en (;/_%tur?%n(/  into + drama. There is\=] conflic_=:t in !the troubled relationship*!_ b/@ etw=#! e !e-n Olof and his +father and lat#e_ with th?=e father@ of `=his beloved. The beau(t;)iful and wi:-ld natu+@ral lan !dscapes ?]=:of .;N_orrland and; norther;n[^; :#Sweden len+d: th;@?e t[^ale a certain power and is cha)#racte rist.]ic of Herr St@il]l ?^er’s+ ? :\other si]`^lent*``s where Natu@^re emerges as =an imp/$ortant ,characte,`r in?- the story.=# This is s][.tro -ngly reflec`ted th? )roughout the@ film but e spe!@ci_ a `#lly during the frantic/( scene wherein Olo_f /des=cends into th_e troubled $#/waters of _, a river,// a @be+autif\ul met) ap/hor for the !+!har+(d.]ships t^$hat our= hero)%( has to endure #!^ `until he (finds h@(imsel[f.　(　“Sangen Om@( Den^ Eldrö. da *Bl*omman”`] is ?\  a)$n excellen];)_,t, beautif.^#ul fi$@*l)/#m, a so!$lid, technic =ally perfec_$t /(and intrica te production of 1+919 tha_^t dem_?onstra@+tes*([ on-#(ce_ again the importance of He#rr S*@ti%lle, r for s$`-ile[nt? film his.@tory.

一、《红花`之歌》是哪一年上映的？

《红花`之歌》是莫里兹·斯蒂勒于1919年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《红花`之歌》上映时票房稳坐前三，创下当年纪录。当时Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼均为最佳主角，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼以精彩演技和突出形象，奠定在其它影坛地位。Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼饰演角色造型多年后仍为人所模仿。莫里兹·斯蒂勒之前曾被人怀疑其能力，而《红花`之歌》却奠定莫里兹·斯蒂勒剧情片风格。《红花`之歌》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1919年代）其它（其它）优秀剧情片齐名。

二、被称为剧情片的开先河之作的《红花`之歌》，是莫里兹·斯蒂勒最好的作品吗？

从莫里兹·斯蒂勒斩获剧情片最佳导演，我就觉得这部《红花`之歌》是他最好的剧情片。虽然莫里兹·斯蒂勒后来还拍出了评价特别好的剧情片，但是《红花`之歌》依然是他剧情片题材中的代表作品。

三、《红花`之歌》为什么可以成为经典？

提起其它，人们就很容易想到《红花`之歌》。这部由莫里兹·斯蒂勒导演、Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼主演的《红花`之歌》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《红花`之歌》中的人物心理历程与现实处境彼此映照，也成就了它在剧情片题材中的经典地位。

四、如何评价《红花`之歌》？

《红花`之歌》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《红花`之歌》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部剧情片作品被反复讨论的原因。

五、《红花`之歌》剧情片的主要内容

《红花`之歌》是一部剧情片作品，由莫里兹·斯蒂勒执导，主演包括Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等。

《红花`之歌》“Sang=(#en/) Om  Den E/ ldr#öd$/-a Blomman” ( `#`@“So!ng  %.Of The Sc%^a@rle*]t# Flower%\” ) wa)s a## =recent]?] an_#d%; r?emar:kable) silent su+(;r;)-;prise for this Herr Von .; the oeuvre is an :$excellent Herr Stiller silent film th,_%at t_ *his German )count wa ^tched in a newly restored and \/% tinted copy. I?#t combin=-es the well-k-no\-?wn aest_h:etics, technical improvement_#s@? a)nd artistic merits for which t]__?he N++\ordic director was known and pr?aised s]$i#nce \!thos ^ e `e)arly[[ sil ;ent times ti`[]/`ll t oday.\-　　The fi$$l? m ! tells of the m`=_/erry and carefree love lif! =e of young Olof ( He*((rr ^\[Lars %*Hanson : ) a woodsman %^w@:#ho during his sear-ch for@$[ true love, seduces many@ ; frau=+leins ( just like th/[is German a[ []!risto(^crat… we +_#ll, not exa)-ctly ;!because the purpose ^?:of th *is He)` rr /V*/%on!\’s seductio n of % rich `= [\fräulein heiress@?*es are) \)their+=: great f;or*t[!unes… ). [He) w;ill s?-uffe@r dis=,app/ointment and decept-,io n, all thos.?e  probl_#em] ;s that turn up in$? any lov::%)ing re?*lation^%ship. Fi??na #lly he wil_l fi!\nd% re#spo`,nsibility a-nd m -?atu^$\)-r=$._ity, learni ng during #his particula r) qu .est that his actio-%ns always ha ve !;consequences in different degrees  to the p!?)e(*ople ar ound -#+him.*] +.\This Herr V#on can descr%!ibe ];“Sangen Om…” as a kind^?- of c:!oming of ag]e film, : the)=] specia*:l^ introspec-@;ti+;ve growth toward maturity of =a free and ^ea# s^y y.$oung[ ster.　　As this Germa^,`n coun\]t-\ s,aid b;+efor$@([e ), th=)e fil]]m@* displays S/%tiller’s ch,aracteristic a$]rt%*istic virtues. ;)@ in t(%-he first#$* part of th+e film, we ca$n see elem,ents o)*_f co@^medy, not e?\_xactl [`y @:like t .he comed``y of@ intrigues in +[other Stiller films, but humor of a mor$*)e cheerf%(ul sort]([, highlighting @;t, he self-involvem*;);ent of \our her@ (o. Olof ‘s friv/!olous f lirtations with] [# !the different girls e-^, ventually. turn ro+,mantic and th)en (;/_%tur?%n(/  into + drama. There is\=] conflic_=:t in !the troubled relationship*!_ b/@ etw=#! e !e-n Olof and his +father and lat#e_ with th?=e father@ of `=his beloved. The beau(t;)iful and wi:-ld natu+@ral lan !dscapes ?]=:of .;N_orrland and; norther;n[^; :#Sweden len+d: th;@?e t[^ale a certain power and is cha)#racte rist.]ic of Herr St@il]l ?^er’s+ ? :\other si]`^lent*``s where Natu@^re emerges as =an imp/$ortant ,characte,`r in?- the story.=# This is s][.tro -ngly reflec`ted th? )roughout the@ film but e spe!@ci_ a `#lly during the frantic/( scene wherein Olo_f /des=cends into th_e troubled $#/waters of _, a river,// a @be+autif\ul met) ap/hor for the !+!har+(d.]ships t^$hat our= hero)%( has to endure #!^ `until he (finds h@(imsel[f.　(　“Sangen Om@( Den^ Eldrö. da *Bl*omman”`] is ?\  a)$n excellen];)_,t, beautif.^#ul fi$@*l)/#m, a so!$lid, technic =ally perfec_$t /(and intrica te production of 1+919 tha_^t dem_?onstra@+tes*([ on-#(ce_ again the importance of He#rr S*@ti%lle, r for s$`-ile[nt? film his.@tory.

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