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更新至20260426期
《盲目的丈+夫们》讲述的是什么故事？
《盲目的丈+夫们》Two differe^ nces be ::#tw:e -en this Aust _#r$i %an version and the generally ! avail[+able A[ mer i:,can v#_e ]rsi ?on are i[ @mmediately o *bviou`$s they differ both i\n^ ? ^the( )ir )length an` d in[ ,the =+],language $] o f the %#-int(.;%ert+ itle s. The #America`n %`ve,*!rsion is*^! only =1,88 3 metres l..ong - a)t 18 f%ram/es per (second a ,!differen$_=ce o,`f s@, ome 7 minu\)+tes to the? ^ Austrian. *+version with 2,]0] 45 metres._ Whereas we origina@?lly] presumed only a negli^ gible dif ] ference., , result=]ing @ from the vary:-ing length o /f+ the intert? i tles)*, a d!/:$irect comparison has nev (ertheless shown that th/]^^e Austrian v= ersi[on d?.`i=ffe/#rs. from the American: +v @ersio_ +\n both in the montage) and , $in the durati\:=(on #;!of.! individual\\ ( sce%/)ne^/s. Yet (! h \,ow c[/ou=/ld it happe* n _that the- later regi o.[nal d]^!istribution !.of a canonical *:[US s ilen\ t film was long*.er [@t^@#ha* :n th_=e o;*-riginal v`ersion=? The prevalen `t American v+ersion of Blind H$usb ands/ does not correspon)] d t.#o the ver:sion shown! a, t th e prem^iere of^? %^@1919. This lit *tle-known]_ _-fact )was already pu\*b.@^lis)hed by$ \ Richard Koszarski in 1983. .The fil=\m was re-r; ,ele`^ ased :;b , y Univer,! [sal Pictures in 1924, i?n a version that w_ as 1,365 feet (416 metres) ?#;shorter. At: %18 fra mes per sec*ond, [ t*/his amounts to a time differen_@`ce) / `[of 20 min$@u_\te (@s! *?Titles were alt ered+#, snippet\=;=s,* of acti!on removed a $nd[. at least o (ne major\ scene t+^! aken out e$ [^ntirely, where @von= Ste#`uben and Margaret visit*/ a small lo ?ca, . l \( ^:?chape. \+*l. (Koszars `ki) From the pre s\ent state of re#%,(sear)\ch @. we ca; n assume th#_a-+t\= all the known +Am)@eric@an copies of the film* [* de?_riv_*e from this shortened re_%@-release ve#rsio\`n, a= c+opy of which$: ; U-]n:^iversa :^l*! ( donated to[ t/:.h [e Museum $ of Modern Art in 1941? . According to Koszarski the original n ;egative of the film was destroye ^d,@. som(:e\ #time bet -wee+n 1956 and 1961 an#/d h/as th_ e__refore_- been ir-retrievably l ost \.( This !)i ^$nformati -on casts an ?interesting %light on the Austrian v!ersion, which can ;?\be dated to t he( period bet .% +we=/#=en the $summ? er of 1921 a )@nd the_ ( win!t(_[er of 1922. Fur ther` #more, the copy is some 200 metre/ s longer than th `!):e US versi^$on of ?1924. -+If one follows the details given b .[y Richard ) Koszarski and [)Ar\ $thu`r Lennig, ]` thi.s me(ans that, as# $ far as both i% ts date a!nd its length are con!cer / ned, .(t;he Austr!i;an version %$ !li;!e,:s$ almost exactly .i ^n the middl@e -! between# t]he (lost)`= version s, hown at the p;,re @!@miere and the re%#-releas# ed ! one.A[/ large part of ;the ad; =d itional: le n@gth of the [fil( $m \c!( ?an be trac ed to )[%cut(%s t =hat wer e made to the 1924 version in ` ]]+al $mos^ t eve\ry sh@ot.% % Koszarski des*cribes how the begi/%_nning and the end of scene,=s `*were trimme`-d, in ord er: to =( spee= d up =+the `@!fi lm@? . Howe@ver, more exci,`$t[*ing w* as the ;d[,,i][ scovery that th ;e Austr#ia*n ver sion cont# =ains shots that` are missing in the ],, Amer*[ican_=+` o*/)ne - shotscountershots, inter ti:tl`:es - and further-mo[%re%^ shows differen /ce):+s in-@ its mon *t:,age (i.e. th \ e plac+ \ing of the ;? indi +v.-idu$al shots within a seque%nce). Al.$ l thi $s indicates that Die Rache $ der Berge constit%[utes the o ldest!\ @/an d most c`]^omplet?$/e,+ly pres]erv ed ma@teria!l of the f+#]ilm.
一、《盲目的丈+夫们》是哪一年上映的？
《盲目的丈+夫们》是埃里克·冯·施特罗海姆于1919年拍摄的一部经典剧情片。此片开创美国当代剧情片的先河，《盲目的丈+夫们》上映时票房稳坐前三，创下当年纪录。当时萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming均为最佳主角，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming以精彩演技和突出形象，奠定在美国影坛地位。萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming饰演角色造型多年后仍为人所模仿。埃里克·冯·施特罗海姆之前曾被人怀疑其能力，而《盲目的丈+夫们》却奠定埃里克·冯·施特罗海姆剧情片风格。《盲目的丈+夫们》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1919年代）美国（美国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《盲目的丈+夫们》，是埃里克·冯·施特罗海姆最好的作品吗？
从埃里克·冯·施特罗海姆斩获剧情片最佳导演，我就觉得这部《盲目的丈+夫们》是他最好的剧情片。虽然埃里克·冯·施特罗海姆后来还拍出了评价特别好的剧情片，但是《盲目的丈+夫们》依然是他剧情片题材中的代表作品。
三、《盲目的丈+夫们》为什么可以成为经典？
提起美国，人们就很容易想到《盲目的丈+夫们》。这部由埃里克·冯·施特罗海姆导演、萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming主演的《盲目的丈+夫们》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《盲目的丈+夫们》中的人物心理历程与现实处境彼此映照，也成就了它在剧情片题材中的经典地位。
四、如何评价《盲目的丈+夫们》？
《盲目的丈+夫们》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《盲目的丈+夫们》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部剧情片作品被反复讨论的原因。
五、《盲目的丈+夫们》剧情片的主要内容
《盲目的丈+夫们》是一部剧情片作品，由埃里克·冯·施特罗海姆执导，主演包括萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming等。
《盲目的丈+夫们》Two differe^ nces be ::#tw:e -en this Aust _#r$i %an version and the generally ! avail[+able A[ mer i:,can v#_e ]rsi ?on are i[ @mmediately o *bviou`$s they differ both i\n^ ? ^the( )ir )length an` d in[ ,the =+],language $] o f the %#-int(.;%ert+ itle s. The #America`n %`ve,*!rsion is*^! only =1,88 3 metres l..ong - a)t 18 f%ram/es per (second a ,!differen$_=ce o,`f s@, ome 7 minu\)+tes to the? ^ Austrian. *+version with 2,]0] 45 metres._ Whereas we origina@?lly] presumed only a negli^ gible dif ] ference., , result=]ing @ from the vary:-ing length o /f+ the intert? i tles)*, a d!/:$irect comparison has nev (ertheless shown that th/]^^e Austrian v= ersi[on d?.`i=ffe/#rs. from the American: +v @ersio_ +\n both in the montage) and , $in the durati\:=(on #;!of.! individual\\ ( sce%/)ne^/s. Yet (! h \,ow c[/ou=/ld it happe* n _that the- later regi o.[nal d]^!istribution !.of a canonical *:[US s ilen\ t film was long*.er [@t^@#ha* :n th_=e o;*-riginal v`ersion=? The prevalen `t American v+ersion of Blind H$usb ands/ does not correspon)] d t.#o the ver:sion shown! a, t th e prem^iere of^? %^@1919. This lit *tle-known]_ _-fact )was already pu\*b.@^lis)hed by$ \ Richard Koszarski in 1983. .The fil=\m was re-r; ,ele`^ ased :;b , y Univer,! [sal Pictures in 1924, i?n a version that w_ as 1,365 feet (416 metres) ?#;shorter. At: %18 fra mes per sec*ond, [ t*/his amounts to a time differen_@`ce) / `[of 20 min$@u_\te (@s! *?Titles were alt ered+#, snippet\=;=s,* of acti!on removed a $nd[. at least o (ne major\ scene t+^! aken out e$ [^ntirely, where @von= Ste#`uben and Margaret visit*/ a small lo ?ca, . l \( ^:?chape. \+*l. (Koszars `ki) From the pre s\ent state of re#%,(sear)\ch @. we ca; n assume th#_a-+t\= all the known +Am)@eric@an copies of the film* [* de?_riv_*e from this shortened re_%@-release ve#rsio\`n, a= c+opy of which$: ; U-]n:^iversa :^l*! ( donated to[ t/:.h [e Museum $ of Modern Art in 1941? . According to Koszarski the original n ;egative of the film was destroye ^d,@. som(:e\ #time bet -wee+n 1956 and 1961 an#/d h/as th_ e__refore_- been ir-retrievably l ost \.( This !)i ^$nformati -on casts an ?interesting %light on the Austrian v!ersion, which can ;?\be dated to t he( period bet .% +we=/#=en the $summ? er of 1921 a )@nd the_ ( win!t(_[er of 1922. Fur ther` #more, the copy is some 200 metre/ s longer than th `!):e US versi^$on of ?1924. -+If one follows the details given b .[y Richard ) Koszarski and [)Ar\ $thu`r Lennig, ]` thi.s me(ans that, as# $ far as both i% ts date a!nd its length are con!cer / ned, .(t;he Austr!i;an version %$ !li;!e,:s$ almost exactly .i ^n the middl@e -! between# t]he (lost)`= version s, hown at the p;,re @!@miere and the re%#-releas# ed ! one.A[/ large part of ;the ad; =d itional: le n@gth of the [fil( $m \c!( ?an be trac ed to )[%cut(%s t =hat wer e made to the 1924 version in ` ]]+al $mos^ t eve\ry sh@ot.% % Koszarski des*cribes how the begi/%_nning and the end of scene,=s `*were trimme`-d, in ord er: to =( spee= d up =+the `@!fi lm@? . Howe@ver, more exci,`$t[*ing w* as the ;d[,,i][ scovery that th ;e Austr#ia*n ver sion cont# =ains shots that` are missing in the ],, Amer*[ican_=+` o*/)ne - shotscountershots, inter ti:tl`:es - and further-mo[%re%^ shows differen /ce):+s in-@ its mon *t:,age (i.e. th \ e plac+ \ing of the ;? indi +v.-idu$al shots within a seque%nce). Al.$ l thi $s indicates that Die Rache $ der Berge constit%[utes the o ldest!\ @/an d most c`]^omplet?$/e,+ly pres]erv ed ma@teria!l of the f+#]ilm.
