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《愤怒 ;之声》讲述的是什么故事？
《愤怒 ;之声》Howard T``yler (Frank Lo/ vejoy) is %$*a family man, li `ving@; in^` :((Ca)lifornia, who ca!=;n't seem to get by f\(inancially*@;%. He meets up#; w )ith a small-time, but charis:mati-] c, hoo @:.d Je #,r$` ry S, l:%ocu$:)m (Ll?oyd Br#[:i /!dg ._es). S* \oon, Slocum c onvi# ! nces =Tyler to p: ;artic(ipa! +te in gas s \`tatio!n rob=]]berie#)s to get by. Later, they ki!dnap a!# wealthy man in hope)s%+ of getti_: ng $ a h_ uge \ ransom. Thing\ @* s go [.. wrong when the man is murdere-d [by Sl, -`:ocum,=$ then (% ,thrown in a_@ lake. T`,y l ,er (*@rea@@ches h*= .is limit em:?otion _ally,: `! and h,`)e begi,ns drinking (;heavily. He m #eet_^s a lonel* y woman and (#con`f: esses the . crime w* hile drunk. ,\+The woman +flees and *`` g@;.o,+=.es ^to the po=lice. When t_[he two ki dna%\p#/pers\][ are @arrest$ed, a[_= loc -al jou * ,rna;_ list (Ric^`(hard Carlson#*/^ ) writes a s[]%%eries o #f / hate-fille#/.d !) articles about th.^(e two pr?iso==/?ners? which$\%; eventu/al ly :;l / :ead to a)- brutal lyn]ching. # The despair[\ of the lower middle-c`#lass A famil\,y#` man ash- amed !of be ,?ing une mpl/o _ yed/ @. a^) llows/=( hi, mself to be c@onvinced by a +g ang\ster to @%-ta.%%ke part :in a ;. :ki_,#dnapping. The ]=polic?$e ar /; rests !them both and the a? nger of the sm`: a_.-ll to[_wn’s# popu[)[la tion is unforgiving. THE SOU+ +ND OF : ?FURY is a dar(^k crim =e movie that bui lds u:p to @. an apoc^alypti\c storm, but never \% loses %si !/ght *o f social r ealitie[`s, _thus tellin) -g a \ lot abo!=,u!*(t\*` the ?+#d+)$aily des pai /%r of t :he work $(in[+*g-cla /\ss. ; A ?+ mas terpiece,^#\ #it was Cy -,En?[(dfield’s las t film be^fore he fe!lt c ompelle$`d to move to Britain.
一、《愤怒 ;之声》是哪一年上映的？
《愤怒 ;之声》是Cy,Endfield于1950年拍摄的一部经典剧情片。此片开创美国当代剧情片的先河，《愤怒 ;之声》上映时票房稳坐前三，创下当年纪录。当时凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊均为最佳主角，凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊以精彩演技和突出形象，奠定在美国影坛地位。凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊饰演角色造型多年后仍为人所模仿。Cy,Endfield之前曾被人怀疑其能力，而《愤怒 ;之声》却奠定Cy,Endfield剧情片风格。《愤怒 ;之声》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1950年代）美国（美国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《愤怒 ;之声》，是Cy,Endfield最好的作品吗？
从Cy,Endfield斩获剧情片最佳导演，我就觉得这部《愤怒 ;之声》是他最好的剧情片。虽然Cy,Endfield后来还拍出了评价特别好的剧情片，但是《愤怒 ;之声》依然是他剧情片题材中的代表作品。
三、《愤怒 ;之声》为什么可以成为经典？
提起美国，人们就很容易想到《愤怒 ;之声》。这部由Cy,Endfield导演、凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊主演的《愤怒 ;之声》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《愤怒 ;之声》中的人物心理历程与现实处境彼此映照，也成就了它在剧情片题材中的经典地位。
四、如何评价《愤怒 ;之声》？
《愤怒 ;之声》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《愤怒 ;之声》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部剧情片作品被反复讨论的原因。
五、《愤怒 ;之声》剧情片的主要内容
《愤怒 ;之声》是一部剧情片作品，由Cy,Endfield执导，主演包括凯思琳·赖安,理查德·加尔森,弗兰克·洛夫乔伊等。
《愤怒 ;之声》Howard T``yler (Frank Lo/ vejoy) is %$*a family man, li `ving@; in^` :((Ca)lifornia, who ca!=;n't seem to get by f\(inancially*@;%. He meets up#; w )ith a small-time, but charis:mati-] c, hoo @:.d Je #,r$` ry S, l:%ocu$:)m (Ll?oyd Br#[:i /!dg ._es). S* \oon, Slocum c onvi# ! nces =Tyler to p: ;artic(ipa! +te in gas s \`tatio!n rob=]]berie#)s to get by. Later, they ki!dnap a!# wealthy man in hope)s%+ of getti_: ng $ a h_ uge \ ransom. Thing\ @* s go [.. wrong when the man is murdere-d [by Sl, -`:ocum,=$ then (% ,thrown in a_@ lake. T`,y l ,er (*@rea@@ches h*= .is limit em:?otion _ally,: `! and h,`)e begi,ns drinking (;heavily. He m #eet_^s a lonel* y woman and (#con`f: esses the . crime w* hile drunk. ,\+The woman +flees and *`` g@;.o,+=.es ^to the po=lice. When t_[he two ki dna%\p#/pers\][ are @arrest$ed, a[_= loc -al jou * ,rna;_ list (Ric^`(hard Carlson#*/^ ) writes a s[]%%eries o #f / hate-fille#/.d !) articles about th.^(e two pr?iso==/?ners? which$\%; eventu/al ly :;l / :ead to a)- brutal lyn]ching. # The despair[\ of the lower middle-c`#lass A famil\,y#` man ash- amed !of be ,?ing une mpl/o _ yed/ @. a^) llows/=( hi, mself to be c@onvinced by a +g ang\ster to @%-ta.%%ke part :in a ;. :ki_,#dnapping. The ]=polic?$e ar /; rests !them both and the a? nger of the sm`: a_.-ll to[_wn’s# popu[)[la tion is unforgiving. THE SOU+ +ND OF : ?FURY is a dar(^k crim =e movie that bui lds u:p to @. an apoc^alypti\c storm, but never \% loses %si !/ght *o f social r ealitie[`s, _thus tellin) -g a \ lot abo!=,u!*(t\*` the ?+#d+)$aily des pai /%r of t :he work $(in[+*g-cla /\ss. ; A ?+ mas terpiece,^#\ #it was Cy -,En?[(dfield’s las t film be^fore he fe!lt c ompelle$`d to move to Britain.
