关于在短时间内的:? 某*几个人的经过

《关于在短时间内的:? 某*几个人的经过》Voic,e 1 (m a+)$%le professio/nal announ., -cer:^, type) This n]@+$eighborhood(1) was made for the w$ret[ched -]dign#ity of th,\=(e pet+@^?ty` bourgeo`isie,[ for r,/espec, table occ]=!upa t%]/ions an ]^d in-!tellec+.#tu/a=*
l%^
]tou=+rism. [%$The s=(e,;.den/tary $`p,opula?/tion of+ the upper floors\ was shel]
tered from th^e inf-luenc;=es of the s)tr
eet#*. This neighborhood $=,has remain.ed th_e sam$!:e]@[. It
* was*; the str--ang .e ( #sett.+ing of our story,  [-where `!a _systematic ! @=$questioning: of al-$l the 
di+versions a)nd works of]@ a so[,ciet_;y, a to-
tal cr]itique+[[ of  its idea of happin,ess, was e@.xpre,)+/ssed in a$$cts.　@^　These peopl,`e also[ scorned ;(subject^%ive prof]u#ndity. They were intereste+.d in nothing b%ut a:n adequate and concrete expr[;ession \=!of themsel) #v_]es.　　;Vo
!=ice 2 (Deb.?ord, [],mo notone) Huma`-+n beings are not fully cons ]cious of thei^[r `$r:*eal@! life =$- usually [#groping in )%the da rk; overwh#)elmed by the con;$
%[sequence);s of th%ei^r -`??acts; at ev`_%:ery/, mome+=nt g:roups and indi] vi]dual`s/, .find themselves confr:onte] d w/?_ith% re,]_ sults they have not wishe.d.　　Voice 1 They. said that #oblivion ? was th;\$(ei[^(r ruling passion. They wante^d to *;rei_+nvent everyt+hing` ea-/ ch day; to be*^come the master^s and *[pos\ses, ^s=]o^rs of the*!ir; o[) (wn @*li._ves.　 　 ]Just# as one does not j,[/^udge !a ])@man according to the- c:oncept
ion he has of ?:himself, one `\cann/`ot= judg,e @such pe$+riods of$# t%/:ransition ac,;cording t:o$. their o`wn consciousness; on the c:(/ ont [r.a,ry,.@: #one mu:;st expla-in t\ h:
e)`\ consc\i \:ou`?)sness through the- c :(ontra:![dic tions of ma`! te.#rial life, throug;,[h -the c =onf)#lict_ betwee n social co**!ndi.t/i-ons ` an?+;d the for%_+ces \of ;_socia`l p
\^rod;uction.] 　　
(The progre\@ss achieve
d/!(; in the d/omination of natu![r=e@[ was n%?_!%ot?!% `yet m];a
t;;ched by a  corresponding libe`ration of ev$#eryday life.` [ Youth passed away amo_;?ng the vari[ous controls =^of res\ignat* i=`#on.　　Our *c#,am??era )has ca]$?ptured for you a few aspects of a provisio;
nal mi@.
cro )society_?.　　_;)The [knowledge *of empi/?rica:=l facts remains a-?bstrac]t and superfici`[al a(s long as it = @$]i,]s not conc@\ retized` by its -#integ:(ra^tion into the whole ” ^whic$ h alone pe,rmits the ![)s(
upe;rses(^=sion= of parti=:;al?; !]an$/d abstra!=ct pr^*oblems?@; so as($ to arrive^ at *th_
%eir concrete, essence,`  a/nd implicitly at the$;_; i*[]r !m# )ea:-ning.　　This group was`$? )_(on_+, the margins of th+:e economy. It tended toward a role =! of pure)* $#con(/sum#ption, and first of al.l #the f+%ree cons@+*[umption of ,=i ,ts time . It t hus found itself di\!rec
tl/*y e#/ngaged -in qualitative variati/%o/ns of everyd+* ay life but deprived ;*-of any %means to intervene in them?.　　The gr ;$oup ranged over a very small area.$ The same times bro\ug%h[t  them back to@ t?he same places. No_, /*one w^ent^. $ to be+d ear;l[
y. - Discus#%!sion (_on t=he me]anin%+\g of all this @:_ continued...　　V=oice 2 Our life. $@\ i/s a journey ” ;%$In the(. winter .and the night;-^. ” We: seek`* our passage.`,..�　　Voice,]_ ;1 The abandone]d literatu.re neverth,:,e.less exerted a d?e/]laying(
, acti.`on,[ on ne`*.w aff%
[ective form.ulations.　　 ,Vo\,^ice 2 There was th[e fatigue a;:nd the  co=ld of t[he morning# =% !in thi_ =s mu:%ch-tr*[#aver%!\%sed labyr^#inth, li@ke an enigma that we $?+had to resolv\--e. I*t =wa,%$]]s a$ looking-glas^
=s real\^ ity through which .?we had t=$o di$;sc(@o,:v
er the \+po#/tentia/l )[r$-ichness of$\ $r
.eal==^ity.　　On the bank;$! of the river)% evening bega).#^n on =ce again; and car=]/@esses; and the imp^-ortance,  `^of )a !%world without importan c`.`e. Just a? s the eyes ( [_ have )=^a bl] urr =/ed v$ision o? @f many things a. +=nd\ ca:$ n see only one cle=arly!/, so th .)e will can strive on l?.y incomp$`letely .%toward diverse obj +ects and ca$n comp):let- \ely lov!-e only one at a %+time.　　Voice 3! . ;
(you?ng][ girl) No o_!ne co`_/unted]* on the futur- e. It would %@never * b:-:e ;po,ss_`;ibl$e to be t[)#@oge +th\ er later ., or any
:wher/* e %el,:[*s+e). There wou\=l=(d +=never be a?\ greater fr!ee^$.!dom.　　Voice) ) 1 The; refus^#al of t:_[ime and of gr[-\owing; old automa@ticall[,;y [@limited en[=+co#)unters in th*_is n.ar._row, contingent zo\)
n[(=e, where what was lacki[ng w,as felt !\a+$_#s i$#rreparable. The extrem^e precariousn^;ess. #of -\the means of g `ett*%%i_n_g by=% without + wor?ki
ng ?
was at the roo[
t @of thi;$-s im+pat
ience w:= h;%ich m-)a)de excesses necessary an; =%d breaks def\ini`
tiv@
:e.#　　V^.\o::-ice 2 One ne*\ver real\+ly con[tes
$!ts an o\rg^.an,-ization of exis`_tence( w ithou* ;t
contesting all
o)f that(@ .org\aniz@atio[\,`n'.s forms of l%anguag e.　 　Voice 1$,() Wh(en f*reedom is practic#.ed in[ ( a[(
+ cl^o+sed circ=.@:le, it .[+`fades into a _dre!a!m*, becomes a.- mer,?e r; $epre?(_se?ntatio,n of $; :itself.)! %`The am;_bian ce of #*/play i+s by nature unstab@le([. At any ! mo$ men(t or)dinary lif e� can prevail o)nce -again. Th /e ge#(ographical*- ^ limitation of.] play is even more? s]:-triking tha
@n i[$ts temporal limitatio+
n.! Any gam*_%e takes pla*+ce with( in th
;e contours of it ,s]
$ spat^.ial dom?.ain. Aro)
und t?*=h
#+e:( !neighborh =?ood,;+ a roun^d its flee#%*ting and.$ th-++reatene@,d immobility,.^ str@ e]--tc$#he- _d a(% h%alf-known city where p_\_]*eople met only by chance, losing t.hei[[\?r way fo:rev/\ er.　　The# ,#\girl=s who found t)-heir wa%y there, because they$# were legally unde! r t[ he control of t =hei$r+ famili/.es until the [; *age of e.igh%_teen, w
\`)ere., often recaptu ?$\r^ed by the de-*fen
)d*ers of that detesta%bl): e institution.!/ @They  we--!re + generally confined u=, nder the guard of th]+%*ose crea])tures who among a\ll the bad produc._^ts!  $,of a bad society are t/he most ugly and repugnant nuns.　　 Wh-?a;t usua??lly makes docu:mentaries so eas\/y t#
o unde!rstand is the]#-* a+rbitrary l] imitation of their subj)ect matter. Th\ey desc-ribe th-[e+! atomization _of socia-]l functions a![:nd the i.solation of their prod!uc]#ts. One;! can, in -]]contrast, e:$nvi(:`@sage .#the entire complexit$$y o,/!%f a mo ment * .w*
^hich (?is not resolved into a.,* w[ + ork,%% a mom%)
ent whos+e move;)\me`=^nt in:diss#;- olubly,-$ ,,conta: (ins fa: cts and value?s and wh+ose meaning does not ye@.t ap%#pear. The ^s!ubject m+att-/er of the` docu,*mentary $would t,-hen be ; this conf`%.used tota@l^_ ity.　　Voice 2? The@%@ [ era had_/ arrived at a -:level of k)=nowledg^!e a%nd t]e[[?chnica(`l means that made poss_*%.!ible, and increas?ingl:/y n$;#ecess$(/ary, a direct ;;cons`[$truction of a#-ll%.] aspects of a liberate=d  affective and practi]`cal existence. The ap@@%=pearan\ce of@(  these superior means of action=, sti= ll_  un`used because of th[%e delay$#)s//[: in the proje`$ct of liqui^ dating +-)the ::\commodit^y =++e[conom^]y, / ?had =:
already conde
mned aesthetic a=[ctivity, whos]+e ambi:=ti
ons and powers were both[? ou^^tdated. The dec;) ay of art and of a_+ll the value:s of
=fo :^rmer;
 =[mores had)  formed our sociol)(og!ical bac#
@kgr?^o;]-und- $#. The.[ ru+
lin ,,g class's mono#,[po^ly ove%r the? #^ins)tru/@;ments
we nee-@d,[ed to co].,\ntrol in order
 to realiz e %#the col; ]lective *art of our^( ti[**me h# a.#d excluded u%-s from a! c:++ultural prod+uction officiall*^y de:,voted to i#@llustra)ti@@_@ng;]? and;[$- repeating the past. An ] art fi@lm on t _his genera#)tio^-$n ca;?n only (,!be a film on i!ts
`absence of[
 real -$ creatio#^ !ns_$*..　]\\　Every/\one unthinkin_gly
* f)oll\owe% d the pa;t+hs learn::\)ed / on$[#ce a#nd(= for all@!, to [t heir wo*!rk and the)[[i$!r\ home, to their predictable^@ fu
ture. -F@or the`m dut` y had =%^alre@$ady @%become a+` habi+)t, ! and,-[- habit a
[ duty. They  did not s=?ee the deficie;nc;)y =of their c\ ity. T `hey t #?hought t=he deficienc.=y  of
:$ their life was natural. We wan%-ted to break out of th_)%is co\:nd_.it:i__^]-oning*:, in .*qu,^est of anoth=.er us; _e o;f the urb
[_]an lan^/:dscape=$, in quest of ]new p`assions. The a
tmosp;*\h%- ?@ere of a f:ew^. pla[.ces)^ `(!$gave us ?inti%)ma^/tions of the fut! u]]).re ;powers of a;*n ar!chitecture it ? would be ne(-ce;ssa!%ry=$ ; to c* reate to be /the s;u@pport and f;r_amework for less mediocre games. We could\# exp,
ect nothin@(g of anyt:hing we ha\ d# not+^ ourselves al#tered.  The ur,,ban environment *pr $$$o#;c _laimed th,)`$e orders an?d ta)s`-@tes of the rul ing soc-
!iety j--ust as violently,, a\\s [th+ ?e newspa::.p;ers. It is m;\.an w^ho makes th /e unity of the wor`*ld, b$ut? man has ex].tended himself everywhere. People can see\@]( nothing ar#o[+ \und them that is not t heir own ]))=image; _ eve^?rything s) peak=s^ :]to#` them o!;f themselves. +(Th_@eir very*] l and,!:sc*:a,pe is? ali@,@ve^+.  T!here were obs!)tacles everywhere. ? There was= a co(%.h#%esion in t- +he o?bstacles of all t
! y -_pes. =*The(y main!?*]tained the @[^`co?]here[!nt reign of poverty.` Everything being* conn.;ect+?#ed, it was necessary to. change everythi]n)@g^)[ by)
 a@ unita^ry s:/tru@ [\gg?=le, or n+?o,[thing. It was@ necessar:y to  )%l ink up with the masses,(,. but we wer?e surrounded,$^ by sleep.　 　Vo ice 3 Th$`#(e; $ dictat! orship o\f the proletariat is a de//s$#perate struggle, blo$ody #@and bl+oodless,_[# violent and peaceful, military an%d economic, educational and administra tive], agains)t` the _forces and t$\radi*]ti@$o$,@)ns of ^the old world.　　Vo:!i[ce ( 1 In this] country it=*@ is[ once again the men of `order*? +who h+ave re]+belled.=] Th$=/,ey h;ave rein *forced thei+%r power. \!=Th#(e$y have been able to a+% ggrav?.*at\e [ the gr
=otesqueness of the ruling
$conditions accordi) $+ng to thei]#r will.) They ^.have emb] el @^lis..$hed;]( ^thei;;r s:]@yste]m with _^\the funereal ceremonies o f the past.　　Voice 2 Years, like a-] single in/%st
#a/ nt  p rolonge
)d to t\\his poi*nt, c=ome to an en._d.　　Voic)e 1 Wh%\`at w as directly li(ved reap]_^pears frozen in+@ the dis$tan c;e, fit into the* taste-s a=+%-nd illusions of an era,%$ carrie. d aw^`a( ^y@ with
\ it.　　Voi`%-=ce 2 The appearanc ?]e of eve%@nts that)! we have not ma.de, that others have made agains_t us, now obliges us @to  !_be aw^-#are$= ? of the pas=?sage o:?f time, its ^`$results, the@  transformation #=%of our %ow n desires in%@to e*:v:en ts. Wha`[ t di@-ff= erentiates t:;*he past from the present @is precisely its out-of-reac.==h o?b*,je`)ctiv;
ity; there is+
no(; mo`re should-be; being is so cons-#umed $tha+/@t it has ceased,[
= ^\to /^exist.  The details are alr#eady lost in the dust of ti-me.[). Who was   afraid of l]=i@fe, afraid of =;t%]h#e $`night]=, af? ? raid of being _[take!\n?(_, afraid of being kep%.,`t`
[　[　Voice `%3 W^[!hat should be abolished co
nti$
n_u\[es, and( we contin(ue \#to  !wea)[+\r .[away with it.? -We ,!ar/)$e engul\[:fed. We are separat$],e(,d. The years pass a.
/n?:$d we h aven't changed a^ /nyth %ing.　　Voi@ce ^*;2 Once aga
i#@%n morning i$n th#e. sam !;e $?s;(t;reets. Once a /]gain the fatigue ?;of so many.+ simi %larly pas`sed night^s . It is @a walk that has lasted a -! lon_g time.　　Vo:i=@c
`[=e 1 Really  \hard to drink+ more.　　V ! oic=/e 2 Of cour]se one migh^=t mak[
e a film of )it. But even if su%ch a fi,$lm ^ suc
ce??ed;%s in \/being a%!\%s fund)amentally dis;-co^nnec:ted and unsa+/tisfying as the rea.\lity it deals !with, it w/ill%! ne_:v] !er ![#be mo]@ re than a re-creation ” poor and false, like this bo.t*ch`*!ed travel$[#ing sho^ t^+.　　Voice 3*; T,;here are now people who /#!pri,?(de[ themselves on% be\:i.@ ng autho^ rs of films, as others$ were authors o!)f nove?;ls
_. Th# ey are. \ even more back$ward t*han the novelist`s bec)* `a use they are unaware of ^[the decomposition and exhaust$`] @ion *%of! i+;ndivi \dual expr_*e],ssion+ \ in( ou]r ti#me, igno$! rant@ o f the end of the arts of pa%%ss.ivity.: They a re praised` for,/ their @]s^=incerity*! sinc (, e th@ey dra+%+matiz=e, with more!^ personal [depth, t`he  #%co%nvention,s of which their life c/onsists. :`:There is talk of:\ the/ l@ib-era=_t* $$ion of the cinem!(a. But what does it ma\_#tter 
to us\ if one+ _/ more art?
# is`\ liberated th
rough wh]=ich , ] Tom, Dick or Harr
!]:y can joyously expre^`ss their sla/vish sentiments The$ only i*=%nter;esting ve#,nture i@ s the ;$lib!e:#ration of everyda y life, not only i[n the pers
_p)ect)@ives@_# o@^f= history but for] us and r! -ight away. @This ]%entails the with^`ering a)way/[ of alie+nated forms of^ c)@ommunicat+io -#n. The cin*ema, to#=o, *  has to be ;.destroyed.　　Voice_?# 2
? In the final-# a
nalysis, stars are% created by the need w@e hav
$e fo,!%r th)em@_/, and not by their talent;\ or lack of @[ta lent *(@or even by the film @, industry or+ adve!_rt:@is*#!ing.= Miserable =**:need,[/, d,isma./l,;! anonymous life tha;/t!^ would like to expand itself t^ +o ]^the di
mensions[ of -c+ i(nema :/ l$`@.+ife.+== The imagin?ary@,; life on[ ( the scree,n is the product,[ of this real need. The star is the projec;tion of this [*n eed.　　The images,- of t=/(he ad*.v?-er$%tisements duri-(]*`ng t)he intermissions are ?,more s?(u i+
:ted th)/an(`/ any oth-.ers f*,or evoking an in$@=te.-r[mission of life.　　To :,really d (escribe this er]`a/ i* \`t would%=!$ no do# ubt b e necessary to ;`sh%-`ow many $[^othe:,r thi% %ngs ?. B@ut what wou
!ld ?]be the (poi;^nt 　　Better *$$to gra )s/ ;p th?`e tota$(^lity :of what has been done and wha^!]t remains to\` be/ +` done th-an to add mor$^e %[rui:ns :to t@/ he old w;!or *)!ld of the ; spectacle and+ of]@ m%emories_.　　_)*1. Thi))s
 f
/ilm, which evokes the lettrist- experie;^nces at the origin of_+( the situa,tionist mo=vemen$-t,
opens with shots$(_ o /f- t\/he Paris di/s+)
trict fr]_=equented by the let( ;
trists in the early 1950s.