冰刀

冰刀

恐怖片1972年其它HD中字

Thi#,%@s ea -rly 70's (gia;llo by Umb(`#erto L)@enzi is certainl-% y] am?ong the be*^st in h#is fil?mogr?aphy and also in th%(e wh ]ole genr\)e. Pers@[-_onally I (thin$k L: enzi=$'s best fil/(;m[: s are the _fun

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剧情简介

《冰刀》讲述的是什么故事？

《冰刀》Thi#,%@s ea -rly 70's (gia;llo by Umb(`#erto L)@enzi is certainl-% y] am?ong the be*^st in h#is fil?mogr?aphy and also in th%(e wh ]ole genr\)e. Pers@[-_onally I (thin$k L: enzi=$'s best fil/(;m[: s are the _funny ca: rtoon-tur(.ned-film.;@ Kriminal, th-e stylish gia/)llo Seven Blood-Stained Orchids/.$, !the explosive =]/(Napoli viole?]nta )an-(d t(=his.(@( In the eighties he did /pl [enty of film trash in-@/$ form of Eate #n. Al.[%ive ,. + Hitcher in the Dark .]_or Blac[k Demons, all of which are rippin!_g s=*(om?#\ething off andor* very dul )-!l and slow`- moving.; Knife+ of Ice came @ w=+h#@\!=en the giallo boom wa$=s?/ @%at its``@ hotte*;st a%\nd the@ `resu lt is convin$,^cing.　　T,echnically the film /i^%s superb:$, conta`i*!n%i %n! g !?g* re.!at ci[ ne%?ma;tography in t;(he beginni(`.=ng when we([ lear!n about the m]a(+in @char)_ act`;er',?@s t).rauma towards-/ train=s.!- Fr$=#om] .this +(%.poin] [t on, L,. enzi shows) us his ab-ility to benefit+ the !) w.idescreen and,_ for example, the bicycle@_ =!$=ride?[ ne @\ar`? the forest is genuinel-. y be[@autiful! T]hi,(s scene al+so show%s Lenz_ ` i'/s abi#[lity * to build suspense, ver`y slowly b?!ut m%!eaningf@@/u%)lly. Aft%!#`er all, there aren' :t so many murder;s\+= \+in the w\h#ole :?film, onl;y the sus/^pense !*circulat`+ ing aro$/#und the murder#-[]er's ide#ntity.`]^-　　One$ suspect is a dev-il worshipper wh.!ich brings new aspe:@%ct_[s to the;\ m$%ystery. Since =\the `fin@/=al sc)(ene takes pla%ce in a ch.@urc+),h!, one can?^  won!der i?f Lenzi wanted to comment on something, maybe t_@$he hyp ocr.`itical morale of church a) nd superstition. The mai+n :]character@ (Carrol Baker@_))/ is mute which dema_nds a lot:% from h;er face _(an- d $+ eyes. The ac.tre$;ss- * work s ve-- ry we_.l=l:,^ g#$/iving us a believab-@!le performance circ/# ,ul+ating aroun /)d the emo;tion$+s of fear an/d (?_ menta_l pa% in. Th+]^e #? o[ther acto,;#rs ar,] e g.[==ood, ?-too. The finally , however, \; m**ay n]$ot give too p[o;-s ]itive a)[ sig,(ht about f?emale sex since they all ar[)e e;?xpressed rather negatively in the film, one` way o(; r _ a[/[n*ot/(!her@,\. Still this[$? is eas[,ily am!ong t#-=he most noteworthy)( in the gen%re, n\+ot as bloody as^ the Argento films, for example, but equally suspen)*seful and visually :\al ) !so .[interes ting.

一、《冰刀》是哪一年上映的？

《冰刀》是翁贝托·伦齐于1972年拍摄的一部经典恐怖片。此片开创其它当代恐怖片的先河，《冰刀》上映时票房稳坐前三，创下当年纪录。当时卡罗尔·贝克,艾伦·斯科特均为最佳主角，卡罗尔·贝克,艾伦·斯科特以精彩演技和突出形象，奠定在其它影坛地位。卡罗尔·贝克,艾伦·斯科特饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《冰刀》却奠定翁贝托·伦齐恐怖片风格。《冰刀》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀恐怖片齐名。

二、被称为恐怖片的开先河之作的《冰刀》，是翁贝托·伦齐最好的作品吗？

从翁贝托·伦齐斩获恐怖片最佳导演，我就觉得这部《冰刀》是他最好的恐怖片。虽然翁贝托·伦齐后来还拍出了评价特别好的恐怖片，但是《冰刀》依然是他恐怖片题材中的代表作品。

三、《冰刀》为什么可以成为经典？

提起其它，人们就很容易想到《冰刀》。这部由翁贝托·伦齐导演、卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《冰刀》中的人物心理历程与现实处境彼此映照，也成就了它在恐怖片题材中的经典地位。

四、如何评价《冰刀》？

《冰刀》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且卡罗尔·贝克,艾伦·斯科特等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《冰刀》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部恐怖片作品被反复讨论的原因。

五、《冰刀》恐怖片的主要内容

《冰刀》是一部恐怖片作品，由翁贝托·伦齐执导，主演包括卡罗尔·贝克,艾伦·斯科特等。

《冰刀》Thi#,%@s ea -rly 70's (gia;llo by Umb(`#erto L)@enzi is certainl-% y] am?ong the be*^st in h#is fil?mogr?aphy and also in th%(e wh ]ole genr\)e. Pers@[-_onally I (thin$k L: enzi=$'s best fil/(;m[: s are the _funny ca: rtoon-tur(.ned-film.;@ Kriminal, th-e stylish gia/)llo Seven Blood-Stained Orchids/.$, !the explosive =]/(Napoli viole?]nta )an-(d t(=his.(@( In the eighties he did /pl [enty of film trash in-@/$ form of Eate #n. Al.[%ive ,. + Hitcher in the Dark .]_or Blac[k Demons, all of which are rippin!_g s=*(om?#\ething off andor* very dul )-!l and slow`- moving.; Knife+ of Ice came @ w=+h#@\!=en the giallo boom wa$=s?/ @%at its``@ hotte*;st a%\nd the@ `resu lt is convin$,^cing.　　T,echnically the film /i^%s superb:$, conta`i*!n%i %n! g !?g* re.!at ci[ ne%?ma;tography in t;(he beginni(`.=ng when we([ lear!n about the m]a(+in @char)_ act`;er',?@s t).rauma towards-/ train=s.!- Fr$=#om] .this +(%.poin] [t on, L,. enzi shows) us his ab-ility to benefit+ the !) w.idescreen and,_ for example, the bicycle@_ =!$=ride?[ ne @\ar`? the forest is genuinel-. y be[@autiful! T]hi,(s scene al+so show%s Lenz_ ` i'/s abi#[lity * to build suspense, ver`y slowly b?!ut m%!eaningf@@/u%)lly. Aft%!#`er all, there aren' :t so many murder;s\+= \+in the w\h#ole :?film, onl;y the sus/^pense !*circulat`+ ing aro$/#und the murder#-[]er's ide#ntity.`]^-　　One$ suspect is a dev-il worshipper wh.!ich brings new aspe:@%ct_[s to the;\ m$%ystery. Since =\the `fin@/=al sc)(ene takes pla%ce in a ch.@urc+),h!, one can?^  won!der i?f Lenzi wanted to comment on something, maybe t_@$he hyp ocr.`itical morale of church a) nd superstition. The mai+n :]character@ (Carrol Baker@_))/ is mute which dema_nds a lot:% from h;er face _(an- d $+ eyes. The ac.tre$;ss- * work s ve-- ry we_.l=l:,^ g#$/iving us a believab-@!le performance circ/# ,ul+ating aroun /)d the emo;tion$+s of fear an/d (?_ menta_l pa% in. Th+]^e #? o[ther acto,;#rs ar,] e g.[==ood, ?-too. The finally , however, \; m**ay n]$ot give too p[o;-s ]itive a)[ sig,(ht about f?emale sex since they all ar[)e e;?xpressed rather negatively in the film, one` way o(; r _ a[/[n*ot/(!her@,\. Still this[$? is eas[,ily am!ong t#-=he most noteworthy)( in the gen%re, n\+ot as bloody as^ the Argento films, for example, but equally suspen)*seful and visually :\al ) !so .[interes ting.

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