造物/的奇迹

《造物/的奇迹》Wu+nder;  de@#/r Schöpfung is an extraord!inary, [%fas =cinati^!ng Kult*ur`]f!ilm trying to explai$n (- th e whole human k*nowl_ed#`ge of the 1920s abou# t the wo:(rld and`
# the -(un\#\)iverse. 15%^ special e`;-ffect(:s e:% xperts and 9 came [:ra+:*%men were \ i. nvolved in t/]he p+
rodu+*ction *]of t!+his f?::ilm which/. c=ombin_es_ d(ocumentary scenes, historical documents, fiction ele:ment+=s, ani`])mation =. scenes and
educational impa+(ct. It i ts ):be: \autifully % colored, using tin
ting and toni$_(ng in a very elaborated w [ay. So)me visual ideas in ;$the sequences with a s)^/pace( shuttle v+)isitin!g (differe`n(t p?]lane@]@ts in the universe seem to have to be the inspiration for/ St$
-anley% K+ubr)$i_
ck's (2001 A Space Od]ys*se:y.　　In t))he context of Germany's Kul
_tu#rfilm p:_:henomenon, W=`_und=er de:!r Sch öpfu`/n g was amo$(/%ng the greatest achi``ev]ements \ of(^ t.=he 1920s. The productio+
n was construct
ed[, rehea)$(rsed, and +shot^ over a[;. p\eriod+ of%_ ` two  and a% half y]^ ears, un der the supervisi^=on +[(o@f, H@+an]n:s Walte;@r Kornblum. Th,e idea t@;o describe the universe a?;nd %$man's place in it well sui@)t)]ed UFA's ] .`Grossfilm`?#(
mentalit%;:y$, one year%# $)b+*efore the?. M`etrop\oli=+;@$s`` c%at[astroph@[e._. Hu\$ndred_s of skilled )=,cra:=  ftsmen \=pa=(rtic?!i]!pate d i/#n the project)., bu:,ilding pro]$ps and constr^+uc%!@t/^ing scale models
 dra w= n by 15 speci,al ef^ fects draughtsmen, w .hile @ 9 camera?men
% in!!# =/;separ?ate unit`=s worked on the`) /
 histor ical, docu(men .;tary, fic;$)tion =, anima(.`tion, and science-fictio`;n sequenc!es. Wit-== ,hout ;\s`+^ta(r ro`les or even protagonists,^ t%*he film's pl.!o?\t is crowde%^d
;wi-(-t`/.:h me,t!+iculously structu@r$%ed and/.+]] skil^lfu@l?ly/% acte!d single sce?`$nes an ar
tful mosai[c( of small vign ettes. No l.%ess than _,four : credi()ted u^+niversity profes*^sors ensur)ed_  ^th,e factual background behi.^[nd the scient/ific and )!historical:$ events portrayed.　　Th`^!e@\ f%@ilm'[s ;symbol ;o$?=f progress and the
new sci;!+`enti fic -(`era is a s=\.(pa.ce[c.raft, trave.]lling through th;e Milky Wa^)y, _,making all the \` planets a
n d their i*;nspiring worlds familiar?]
@to us_, \?wi!th the extravaganza of ][_their distinctiv$e:: featur;]es.?([ T:`he f+ilm's edu= c
!]ational: in .tention)s, ho^wever),_
^* become ste;adily more @*=.obs  cure, hum +#orous, or even campy ([]-as:=! th^?is ?^popula=,!rization p%r *ojec%
t proceeds. W?ith [@the excuse of pre`\!sentin?@ g% the end? of the worl[*)d a/ n!-:ot-so -new concept as*_ a new,%(-
*,u^n$deniably scie@:_ntif%^*i*#%c tru?th, t+he film-! veers ha%_ppily al?;)ong a new pat:h, di=(splaying detailed apocalyptic scene%s of the. end of ma![nkind. For today's au
di[^e^)nces, this a@mazin/@g fil[*m d/?emonst!/;rate?s h(=-ow the@% u![`niverse [wa%$,@s ,co,=mprehen_
`ded in the #=1920s, : and how tha!`t view was sold ;to contem ,/por-ary au #@\diences.