等待[�.$方舟

等待[.$方舟

科幻片1985年其它HD中字

Se.t in an\+) un::*der#ground +-_dungeon inhab_[%^ited/^ by bun!dled, \r$agged human beings[=\, after the n$ uclear_: -holocaust. The sto_$ry)!+ follows(@ the wan;*:dering*^s of -a her/`o .  t *%hrough th_ .e situa

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剧情简介

《等待[.$方舟》讲述的是什么故事？

《等待[.$方舟》Se.t in an\+) un::*der#ground +-_dungeon inhab_[%^ited/^ by bun!dled, \r$agged human beings[=\, after the n$ uclear_: -holocaust. The sto_$ry)!+ follows(@ the wan;*:dering*^s of -a her/`o .  t *%hrough th_ .e situati\^on:[s o%_f sur-!$vival. People@ wait /,f.or the Ark to arrive @@and rescue:= them^; while their habitat )/`falls a/par,[t .　　D,@elving deep in)-,t/)!o the dusty and(%  l\,on:g abando_nded vaul`ts of b-cinema ? =,in se_arch of los[^#t (gems always leaves m.e with a bit:_terswe ?et t=_as -te. O``.)n one= ha[nd+` ++the disc ))overy *`of unexpected ge,)ms =]?wh%er%/e  _no:   (`one would t ?hink them po `ssibl( e is_- a rewa#rding= experience. On the other`] hand though i_:,\t m$a@!(ke%+s _one wonder how many of these remarkable low-bu^-dget  oddities, pe\!rson  al love affairs `(of directors nev#]e^r quite fa%mous and*^? *now all!% bu_\t forgotten, have almost forever_ sli#,pped from memory\:　　n a ,ny :case wha^-t we have he$( #r$]$%e is( _= a little `-p= ( ost-apocalyp%tic^ gem fr[om Poland that is really better /tha:n it h*as a*ny r;i.ght to. The dys)%to/_pia]n near fu$$tu#,re of O-BI, O-B ?$A` finds a group of :surv[@ivors of the nuclear war that ravaged?+ the Ea)/_r=*th i \]nhabiti .ng an *#\unde%rworld concrete bunker and bi\/-)ding their time as the^y wait ^for the mysterious Ark, an air \; *ship o=:f some kind that will come and #\)save th/em. The Ark pr;oves to be an e[-l-+//[aborate hoax, carefu=/lly- desig_` ned to give h^ope to the malnourished an$d despera_=te denizen!s of the bunker, while -in the meant_$;ime^ !\ the dome that se]^par;`at@es their miserable#: existence fro.:m the! n[u]_?cl; e/]a;=r*-. winter outside [is slowly cavin@[ [g in .#　　What fir?[s`* t strik/.[ ed \me, about !\the movie is the (desi.;gn of+ the bunker! and the depictio+\/ n ##-of th*e surv,[ivo,`rs. / .T.he s[u\rvivors)  are gau%nt, filthy_ and terrible-looking p enitents, dress?e\(/d in ra]gs and ^a^iml essly$+ wan!+derin`/g the ]@ne+o,%n--#;lit halls*%[( of the bu/:nker li][ke automatons. The bunk/er^\[ is a%./ rundown, seedy place, with bright neon lights/ peering from all sides like the \%eyes of ma!li-)(gnant be;a,+[st+s._=　　On@@ one hand it (i s a slightly 80` 's depict\\io(\n of the dysto;p_:ian future but the mov[$i?e n+\+ever stoops d\o/wn-=) to MAD )).MA__X( ( cheese. Ins== tead it #.comb-ines biting poli_tical satire with:/ /@t=.=he bleak outloo`k!* of a world w\ith [no )/.future\,? black comedy _\` wit h barbs on _*@apa[;[t* hy, religion =[and power. T*he ]survivors, for example, ar_`e  fe d _ s*ome kind of flour droppin\/g from -,`a t%?@@ube that @$hovers i n th^e air - later o:_n( w`$e +, discov%*[er% \the food superv^[iso(` r uses books and the B\i) b`le i,@+ts\]e(+*)lf \as fille `r `? for@$ thi- s @:[[meagre meal. Ther]+`e are` many such short symbo!lic touc $he](s, perh`aps-_? not l%ife-changin@g or faith-restorin#_+g, ye\t playful, cle?!ver a.nd inspire=]^d.　　One t$=[hing )#[i/-s for s[%ure; O-BI, (O-?(!BA is not you ;%r run-of-the-mi@*ll sci-)fi sc,.?hloc,%,k. It over\c [omes ^ i;@ts m]!odest budget `?/with creativ*i,ty and has g@enui+]ne artistic aspirat`^io\ns both * from? a\*?  (writing and directing perspective)(.*( My op`+inion is:( that it shoul+%d have been )-fil!]m^;ed in b\]+(lack and .wh?-ite i`nstead o+#%f;\ colour though. The dire\;, .ctor uses a:tm==^os pheric light and $$#shadow to**[ grea:t __effect and it would have regist[^ered even be$tter in ?.\([star@k bl*`ack(: an;!d white. Th?e :blue_-green neon on[ t_he )other ha:nd outstays*+@/ its welcome a%fter a while. Just a min[%or gripe in (_.an otherwise solid) b-\m:o@;v)ie, with its hear,t #set in a+(ll @the rig?@ht ^?plac+es.　　I-(!m@agin_ e;+ a less ble`ak TH,_E ROAD (Cormac  Mc: Carth-y\) being inje (cted !wit=h t,;/he satire a:$#nd hum-+our of DR.STRANGELOVE and  -you're ge?_ttin g there.@- -See \i:%t if you can find it.

一、《等待[.$方舟》是哪一年上映的？

《等待[.$方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《等待[.$方舟》上映时票房稳坐前三，创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象，奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力，而《等待[.$方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待[.$方舟》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1985年代）其它（其它）优秀科幻片齐名。

二、被称为科幻片的开先河之作的《等待[.$方舟》，是皮奥特尔·舒尔金最好的作品吗？

从皮奥特尔·舒尔金斩获科幻片最佳导演，我就觉得这部《等待[.$方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出了评价特别好的科幻片，但是《等待[.$方舟》依然是他科幻片题材中的代表作品。

三、《等待[.$方舟》为什么可以成为经典？

提起其它，人们就很容易想到《等待[.$方舟》。这部由皮奥特尔·舒尔金导演、耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待[.$方舟》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《等待[.$方舟》中的人物心理历程与现实处境彼此映照，也成就了它在科幻片题材中的经典地位。

四、如何评价《等待[.$方舟》？

《等待[.$方舟》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《等待[.$方舟》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部科幻片作品被反复讨论的原因。

五、《等待[.$方舟》科幻片的主要内容

《等待[.$方舟》是一部科幻片作品，由皮奥特尔·舒尔金执导，主演包括耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔等。

《等待[.$方舟》Se.t in an\+) un::*der#ground +-_dungeon inhab_[%^ited/^ by bun!dled, \r$agged human beings[=\, after the n$ uclear_: -holocaust. The sto_$ry)!+ follows(@ the wan;*:dering*^s of -a her/`o .  t *%hrough th_ .e situati\^on:[s o%_f sur-!$vival. People@ wait /,f.or the Ark to arrive @@and rescue:= them^; while their habitat )/`falls a/par,[t .　　D,@elving deep in)-,t/)!o the dusty and(%  l\,on:g abando_nded vaul`ts of b-cinema ? =,in se_arch of los[^#t (gems always leaves m.e with a bit:_terswe ?et t=_as -te. O``.)n one= ha[nd+` ++the disc ))overy *`of unexpected ge,)ms =]?wh%er%/e  _no:   (`one would t ?hink them po `ssibl( e is_- a rewa#rding= experience. On the other`] hand though i_:,\t m$a@!(ke%+s _one wonder how many of these remarkable low-bu^-dget  oddities, pe\!rson  al love affairs `(of directors nev#]e^r quite fa%mous and*^? *now all!% bu_\t forgotten, have almost forever_ sli#,pped from memory\:　　n a ,ny :case wha^-t we have he$( #r$]$%e is( _= a little `-p= ( ost-apocalyp%tic^ gem fr[om Poland that is really better /tha:n it h*as a*ny r;i.ght to. The dys)%to/_pia]n near fu$$tu#,re of O-BI, O-B ?$A` finds a group of :surv[@ivors of the nuclear war that ravaged?+ the Ea)/_r=*th i \]nhabiti .ng an *#\unde%rworld concrete bunker and bi\/-)ding their time as the^y wait ^for the mysterious Ark, an air \; *ship o=:f some kind that will come and #\)save th/em. The Ark pr;oves to be an e[-l-+//[aborate hoax, carefu=/lly- desig_` ned to give h^ope to the malnourished an$d despera_=te denizen!s of the bunker, while -in the meant_$;ime^ !\ the dome that se]^par;`at@es their miserable#: existence fro.:m the! n[u]_?cl; e/]a;=r*-. winter outside [is slowly cavin@[ [g in .#　　What fir?[s`* t strik/.[ ed \me, about !\the movie is the (desi.;gn of+ the bunker! and the depictio+\/ n ##-of th*e surv,[ivo,`rs. / .T.he s[u\rvivors)  are gau%nt, filthy_ and terrible-looking p enitents, dress?e\(/d in ra]gs and ^a^iml essly$+ wan!+derin`/g the ]@ne+o,%n--#;lit halls*%[( of the bu/:nker li][ke automatons. The bunk/er^\[ is a%./ rundown, seedy place, with bright neon lights/ peering from all sides like the \%eyes of ma!li-)(gnant be;a,+[st+s._=　　On@@ one hand it (i s a slightly 80` 's depict\\io(\n of the dysto;p_:ian future but the mov[$i?e n+\+ever stoops d\o/wn-=) to MAD )).MA__X( ( cheese. Ins== tead it #.comb-ines biting poli_tical satire with:/ /@t=.=he bleak outloo`k!* of a world w\ith [no )/.future\,? black comedy _\` wit h barbs on _*@apa[;[t* hy, religion =[and power. T*he ]survivors, for example, ar_`e  fe d _ s*ome kind of flour droppin\/g from -,`a t%?@@ube that @$hovers i n th^e air - later o:_n( w`$e +, discov%*[er% \the food superv^[iso(` r uses books and the B\i) b`le i,@+ts\]e(+*)lf \as fille `r `? for@$ thi- s @:[[meagre meal. Ther]+`e are` many such short symbo!lic touc $he](s, perh`aps-_? not l%ife-changin@g or faith-restorin#_+g, ye\t playful, cle?!ver a.nd inspire=]^d.　　One t$=[hing )#[i/-s for s[%ure; O-BI, (O-?(!BA is not you ;%r run-of-the-mi@*ll sci-)fi sc,.?hloc,%,k. It over\c [omes ^ i;@ts m]!odest budget `?/with creativ*i,ty and has g@enui+]ne artistic aspirat`^io\ns both * from? a\*?  (writing and directing perspective)(.*( My op`+inion is:( that it shoul+%d have been )-fil!]m^;ed in b\]+(lack and .wh?-ite i`nstead o+#%f;\ colour though. The dire\;, .ctor uses a:tm==^os pheric light and $$#shadow to**[ grea:t __effect and it would have regist[^ered even be$tter in ?.\([star@k bl*`ack(: an;!d white. Th?e :blue_-green neon on[ t_he )other ha:nd outstays*+@/ its welcome a%fter a while. Just a min[%or gripe in (_.an otherwise solid) b-\m:o@;v)ie, with its hear,t #set in a+(ll @the rig?@ht ^?plac+es.　　I-(!m@agin_ e;+ a less ble`ak TH,_E ROAD (Cormac  Mc: Carth-y\) being inje (cted !wit=h t,;/he satire a:$#nd hum-+our of DR.STRANGELOVE and  -you're ge?_ttin g there.@- -See \i:%t if you can find it.

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