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《胆包 天》讲述的是什么故事？
《胆包 天》Um`be%rto Len /zi#` is undoubtedly th[+e king of Italian c)rime m o v `:ie* s, but + \`un fort-\unat-? ;ely?; Syn_dicate Sadi=^`=sts is n`ot the ) ^;best example s .$ of=*$ his work in`]: thi;s genre.- L! enzi's crime^ + fl%_;icks tend to be*@ a cu \t above the=! \/\rest-( b [ec*!ause he makes films based on$? st ori:[es@ with a # point, an[#* d they don't lac - k dir ection; )bu[;t th_is film feels a b) it too wa*yward t o fully fit wit#/h the rest of his stu@*:ff. The fil;*\m takes -[obvious infl;,u% ence from Sergio= #$ Leon [e's landma. \ rk w.estern 'A .\_Fi`#*s^/tf( ^ul [-/[;of Dollars'`-, (w/`hic?^+=h ; `in tur)$\n, ],$=:took[ ^ in fluence% :from Akira Kur_(osawa's: landmark samurai flick Yojimbo), in that it fea*!]ture.s two warring fam/@^) i]$%+l//ies:! a\*nd a str@ong chara %cter at) the c`.entr, e. - The crime that(; L;e*nzi focuses\+ on $ is kidna- pping, an*;/d we^/ centre on @ a c haracter % called=- 'Rambo';# . Rambo \ i?.s dragged into the *:war between the two f! am/ ilies a\[*fte-)\r h is brot ! her i s /`ki_lled_ beca use of +it`$). Rambo uses his):+ brains a+nd brawn@= . to pit the two fami:=lie@s [=?aga@`inst one anot,@her, in the hope of gai,:n *i!ng revenge f,)^or his brot`:her's de! ath, ;=!resc+ui /n ;[g a youn (g bo y that they/('v\ e kidnappe=d, # an d! ,?ulti :( m.?ate! ly letting the two sides *\de st;,=roy/@ one another*:*. The film's bigges t\ @_ asset.) i,, s undou(;_]btedly Tomas M][ili- ]a- n. Milian wa%s put to great + use*[ ( by Le @nzi in@ al$[ mo=/st all of h.is@-/ crime thri;ller) `(s. T- he ran@ge,# of characters he h -as play %;ed for^: L_.!enzi is ,imm? ens[` e+#,._ @]and thi]*#s one is easily one of ] `the coolest. The characte+r i .`@!s called Ramb$# o, which immediately spr#!:ang ]]to mind th^!e popular Sylves((t# !er ( Sta( ll ?one cha racte`*r - ;but for once, t[he Italians ,!actua (lly \%haven't% stolen this%` n ame a; s Syndicate Sadists #was released fir ^@\st! As u.%..sual, the film is wickedl?(]y enterta=.= ^inin g, as: !:(we get to /\_ wa /[#tch * ) Milian $+get himself invol -ved in the us] u ]al !+)array; *` of car .$ch + ases, shootouts and)` b/ rawls. Lenzi,!@ has go_ t h]%im ri;\!#ding a motorbik?[[e thi%.s time round, a),*!]n\_d every scene fe_atur /$ing it and M.@i^ \lian: ,% is a**! real s+( tan*/dout! Ho wev]%[ :er, the film) \ often !f!%eel[[s *];lik,@e it doesn't re,- all :y have anywh@ er *e to go, and this means! that the running t,: ime is stretch [\]ed :`out != more than it should be ,,. Compared to the crime f* -[ilm^/.s of o$.,.ther Italian direc!:tors, Syndicate S adists is m]!ore ): *th-;@an above average);^ b@(]ut$_/ in @= .relation to Lenzi[/ crime flicks suc)h as Almos: ),t Human and The Cyn`[i]c, :Th: e Rat and T ;-he Fist - it$ doesn;'t (_stand tall as one ? of #Le`-^nzi's bes]t=., # St* _i.`[:ll, if you' @re looking for ninety mi-_].nutes of ^% tes= %t)osterone :^ fuelled + mayh )*em - Syndicat)($ e Sa*di @/sts will s]uffice!
一、《胆包 天》是哪一年上映的？
《胆包 天》是翁贝托·伦齐于1975年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《胆包 天》上映时票房稳坐前三，创下当年纪录。当时托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡均为最佳主角，托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡以精彩演技和突出形象，奠定在其它影坛地位。托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《胆包 天》却奠定翁贝托·伦齐动作片风格。《胆包 天》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1975年代）其它（其它）优秀动作片齐名。
二、被称为动作片的开先河之作的《胆包 天》，是翁贝托·伦齐最好的作品吗？
从翁贝托·伦齐斩获动作片最佳导演，我就觉得这部《胆包 天》是他最好的动作片。虽然翁贝托·伦齐后来还拍出了评价特别好的动作片，但是《胆包 天》依然是他动作片题材中的代表作品。
三、《胆包 天》为什么可以成为经典？
提起其它，人们就很容易想到《胆包 天》。这部由翁贝托·伦齐导演、托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡主演的《胆包 天》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《胆包 天》中的人物心理历程与现实处境彼此映照，也成就了它在动作片题材中的经典地位。
四、如何评价《胆包 天》？
《胆包 天》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《胆包 天》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部动作片作品被反复讨论的原因。
五、《胆包 天》动作片的主要内容
《胆包 天》是一部动作片作品，由翁贝托·伦齐执导，主演包括托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastretti,Bruno,Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡等。
《胆包 天》Um`be%rto Len /zi#` is undoubtedly th[+e king of Italian c)rime m o v `:ie* s, but + \`un fort-\unat-? ;ely?; Syn_dicate Sadi=^`=sts is n`ot the ) ^;best example s .$ of=*$ his work in`]: thi;s genre.- L! enzi's crime^ + fl%_;icks tend to be*@ a cu \t above the=! \/\rest-( b [ec*!ause he makes films based on$? st ori:[es@ with a # point, an[#* d they don't lac - k dir ection; )bu[;t th_is film feels a b) it too wa*yward t o fully fit wit#/h the rest of his stu@*:ff. The fil;*\m takes -[obvious infl;,u% ence from Sergio= #$ Leon [e's landma. \ rk w.estern 'A .\_Fi`#*s^/tf( ^ul [-/[;of Dollars'`-, (w/`hic?^+=h ; `in tur)$\n, ],$=:took[ ^ in fluence% :from Akira Kur_(osawa's: landmark samurai flick Yojimbo), in that it fea*!]ture.s two warring fam/@^) i]$%+l//ies:! a\*nd a str@ong chara %cter at) the c`.entr, e. - The crime that(; L;e*nzi focuses\+ on $ is kidna- pping, an*;/d we^/ centre on @ a c haracter % called=- 'Rambo';# . Rambo \ i?.s dragged into the *:war between the two f! am/ ilies a\[*fte-)\r h is brot ! her i s /`ki_lled_ beca use of +it`$). Rambo uses his):+ brains a+nd brawn@= . to pit the two fami:=lie@s [=?aga@`inst one anot,@her, in the hope of gai,:n *i!ng revenge f,)^or his brot`:her's de! ath, ;=!resc+ui /n ;[g a youn (g bo y that they/('v\ e kidnappe=d, # an d! ,?ulti :( m.?ate! ly letting the two sides *\de st;,=roy/@ one another*:*. The film's bigges t\ @_ asset.) i,, s undou(;_]btedly Tomas M][ili- ]a- n. Milian wa%s put to great + use*[ ( by Le @nzi in@ al$[ mo=/st all of h.is@-/ crime thri;ller) `(s. T- he ran@ge,# of characters he h -as play %;ed for^: L_.!enzi is ,imm? ens[` e+#,._ @]and thi]*#s one is easily one of ] `the coolest. The characte+r i .`@!s called Ramb$# o, which immediately spr#!:ang ]]to mind th^!e popular Sylves((t# !er ( Sta( ll ?one cha racte`*r - ;but for once, t[he Italians ,!actua (lly \%haven't% stolen this%` n ame a; s Syndicate Sadists #was released fir ^@\st! As u.%..sual, the film is wickedl?(]y enterta=.= ^inin g, as: !:(we get to /\_ wa /[#tch * ) Milian $+get himself invol -ved in the us] u ]al !+)array; *` of car .$ch + ases, shootouts and)` b/ rawls. Lenzi,!@ has go_ t h]%im ri;\!#ding a motorbik?[[e thi%.s time round, a),*!]n\_d every scene fe_atur /$ing it and M.@i^ \lian: ,% is a**! real s+( tan*/dout! Ho wev]%[ :er, the film) \ often !f!%eel[[s *];lik,@e it doesn't re,- all :y have anywh@ er *e to go, and this means! that the running t,: ime is stretch [\]ed :`out != more than it should be ,,. Compared to the crime f* -[ilm^/.s of o$.,.ther Italian direc!:tors, Syndicate S adists is m]!ore ): *th-;@an above average);^ b@(]ut$_/ in @= .relation to Lenzi[/ crime flicks suc)h as Almos: ),t Human and The Cyn`[i]c, :Th: e Rat and T ;-he Fist - it$ doesn;'t (_stand tall as one ? of #Le`-^nzi's bes]t=., # St* _i.`[:ll, if you' @re looking for ninety mi-_].nutes of ^% tes= %t)osterone :^ fuelled + mayh )*em - Syndicat)($ e Sa*di @/sts will s]uffice!
