月鳞绮纪
全29集
《米兰九:`口径》讲述的是什么故事？
《米兰九:`口径》Fer!(nando Di Leo's [Milano Cal@ibro 9 is an out-a*+nd-out masterpi )^@e#(ce of [? Ita lian^: (Crime = cinema a(!,nd, in my opinion, o $ ?ne of the m ([)ost astonishing crime sto=#ries ever tol=\d. The f@ =irst film in+). ^` =Di Le ?o's e\ xcellent 'Mi _lieu' t(#ril`%\*ogy, Milano` Calibr=%o 9;, wa+=\ s followed b_\y = ] La Mala Or \-:dina (aka. Manh*/unt, also 1*972) =)\=and the brilliant Il .Boss (@# 1973). The % thr;.ee film ?+^s/;- are n$ ot $connected sto%: ry-wis,e, but all th`\ree are/ excelle$;nt, a[ n+=d hi([?-ghly realistic p )[ortrayals ( #=of orga/ niz- ed c rime. As ) far a:,s I a - m con$\ cerned Manh(#u.+] nt is = (allthough excellent)) slightly ]:in+:! :ferior to t !?hi]s on $*e an)@d Il Bos@[:][s\ ; wh! ich *both sta/? nd: out a,s absolute all-time highlight /+ s of\ crime ci.[ n ema. Mila? no Calibr!$o 9 is the b( /]es!t of ;@*the*(^@m all,$ a film that is astonishing in` all aspects, be? (/ i*;t the ingenio*us pl : ot tha[^t, apart \, from a com)pe lling_ st ory) = and clev_ er tw!( ist s,! @,% includes social cri; =ticis# .m, the p!erformances+,,: th e gri tt/y atmosph ,[ere and susp-en.se or the=^ brillia)nt%; score. I ca =n hardl\y find ;#the right words to express my admiration f*$ $or this mast]erpiece which easily ranks #among the gre-] atest = ,] Gangster ? flicks ever broug.[ht $to scr ]_ee+^n. Gastone Mo ]sc $$ hin# ^ s ^tars as Ugo Piazz;+!a, a [ toug /h\ and elliptica l ex-con$!vict who has just[_ been rel/ eased from prison. I $.mmediat *ely after his release#, Ugo is ap%)proach+ed b; y membe+ + rs of the: Milan: @ m*o!b lead by the ira$ `scible #g)+a% + ngster#@ R)=occo/ (Mar ]io A#/dorf)` )@!, _. as th)^ey suspect him to be respo`$ns?%`]ible for the disappe/arance of a large \sum o+-f money belongi *ng to th]eir boss, an #! Ameri`(#can:+=( (Lio)@ne^*l S?@tander) who controls the organized `+crime in Milan... ^,) Milan,-o Ca libro 9 is *a film that d?[% e/!l#)iv?!]ers an ast-\[%onishi- / ngly realistic mo[$ od of the un^: derwo rl-d like hardly an%$oth @er. The in^tr(ig $ui`@ng story,$line goes in hand wit? (h interes##t ;in^`)g*= [ch)aracters, raw atmosphe ,!re,^ suspens-e and brea `thtaking - acti[;on, /s/%ocial criti+-ci$sm @a/#n_.d br#ut al` = viole.nce. The film\;@ i.s simply stunning from the beginning to the end, w[h!ich is e(v ^;en intens^* ;ified by? ).the# brilliant *score, %$a col ,laboration of_ the famou+:`#s composer Luis Enríquez B%acalov @](an ,d% th,e Italian. Pro)gressive Rock ;b+ and)/ Osanna. Ugo Pi%@(!azza mu_;st %be one of* the ? most charis+_matic gangster char^, acter!s e%ver in cinema, and Ga\@[=st+*,o`_ne Mo+,-sc//h[^+in wa/!=s +th.e .prefect choice for the; role. Moschin[. deliv(ers a br\_ill#ia @nt@ performanc_ e,.: ` .and the re.st o\f t]@he ( cast i( _s also gre )at. Ma?rio Adorf is irascible like a rabid _ dog %*#(as th*%e f ^erocious gang) ster`; Ro? ?@cco, a/; ro le th .at fits h !im like a glove. The g[@ rea`t \=$Lionel# Stander fits perfectly in his role of the A %me`ri$ca`n $(=Mafia D) )on. %. The two :?cop =#charac: ters in th e ] f-\%il(-m are !) played by :%@two[( of the gre.$at $@e?=st reg# u `lars*\_$ of Italian( ,genre-cinema, Luigi Pistill/%i _and +=`Frank+[@% Wolff (who ` c_om;#mitte)(d sui*cide before the film was r_*$#el e`\[a ))sed). The _ravishing Barbara Bouchet is @astonis,h?+=^ing and incredi ;bl .y s: exy ;(in the[ r ole of Ugo Piazza . 's stripp er girlfriend. Bouchet #i !s b #;oth a stu[ nning b^/[e)auty and an excellent actre*ss an d this is doubtlessl )y one of her mos@ ??t%; memorable role s. This is al) s] o a polit ica/l fi_*lm and `(directo \r ,!Di+\$ L .eo em#-^bedded a lot of social critic is \m @: about to pics like corr %%up=[tion. Thi(+s f ilm simpl \y has eve !rything one ! _ c.=an possi_bly desi ]re in cinema,. Fi\[.lms lik%e Milano Cal==ibr-/o 9 are -[!the r(+eason why I./ l#]ove c inema. Th is ,= +is[`(*^ an abs *olute $+) mast erpiec[e in +, $ all re) .gards and,@== # without exaggeratio/)`n, one o !#]f +the gr;%-eat.(,-est Crim]e flick- ;s ever;$ made@(%! The [in$:ge.??\nious opening sc[ ene alon]/e i_ s ? more m*emorable t!)^han m\ os)t fi ( lms get in two hou;rs.
一、《米兰九:`口径》是哪一年上映的？
《米兰九:`口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰九:`口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰九:`口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰九:`口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。
二、被称为动作片的开先河之作的《米兰九:`口径》，是费尔南多·迪·莱沃最好的作品吗？
从费尔南多·迪·莱沃斩获动作片最佳导演，我就觉得这部《米兰九:`口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出了评价特别好的动作片，但是《米兰九:`口径》依然是他动作片题材中的代表作品。
三、《米兰九:`口径》为什么可以成为经典？
提起其它，人们就很容易想到《米兰九:`口径》。这部由费尔南多·迪·莱沃导演、加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰九:`口径》，在当时可以说是一匹黑马，凭借扎实的故事、人物情绪和戏剧张力脱颖而出。正是这种在逆境中迸发出来的创作热情，让《米兰九:`口径》中的人物心理历程与现实处境彼此映照，也成就了它在动作片题材中的经典地位。
四、如何评价《米兰九:`口径》？
《米兰九:`口径》整体口碑表现出色，深受观众喜爱。影片不仅在故事节奏上足够紧凑，而且加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫等主演的表演也让角色更具代入感。通过华夏舞蹈网（www.50239.com）观看《米兰九:`口径》，可以更流畅地了解它的剧情张力与人物魅力，也更容易感受到这部动作片作品被反复讨论的原因。
五、《米兰九:`口径》动作片的主要内容
《米兰九:`口径》是一部动作片作品，由费尔南多·迪·莱沃执导，主演包括加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫等。
《米兰九:`口径》Fer!(nando Di Leo's [Milano Cal@ibro 9 is an out-a*+nd-out masterpi )^@e#(ce of [? Ita lian^: (Crime = cinema a(!,nd, in my opinion, o $ ?ne of the m ([)ost astonishing crime sto=#ries ever tol=\d. The f@ =irst film in+). ^` =Di Le ?o's e\ xcellent 'Mi _lieu' t(#ril`%\*ogy, Milano` Calibr=%o 9;, wa+=\ s followed b_\y = ] La Mala Or \-:dina (aka. Manh*/unt, also 1*972) =)\=and the brilliant Il .Boss (@# 1973). The % thr;.ee film ?+^s/;- are n$ ot $connected sto%: ry-wis,e, but all th`\ree are/ excelle$;nt, a[ n+=d hi([?-ghly realistic p )[ortrayals ( #=of orga/ niz- ed c rime. As ) far a:,s I a - m con$\ cerned Manh(#u.+] nt is = (allthough excellent)) slightly ]:in+:! :ferior to t !?hi]s on $*e an)@d Il Bos@[:][s\ ; wh! ich *both sta/? nd: out a,s absolute all-time highlight /+ s of\ crime ci.[ n ema. Mila? no Calibr!$o 9 is the b( /]es!t of ;@*the*(^@m all,$ a film that is astonishing in` all aspects, be? (/ i*;t the ingenio*us pl : ot tha[^t, apart \, from a com)pe lling_ st ory) = and clev_ er tw!( ist s,! @,% includes social cri; =ticis# .m, the p!erformances+,,: th e gri tt/y atmosph ,[ere and susp-en.se or the=^ brillia)nt%; score. I ca =n hardl\y find ;#the right words to express my admiration f*$ $or this mast]erpiece which easily ranks #among the gre-] atest = ,] Gangster ? flicks ever broug.[ht $to scr ]_ee+^n. Gastone Mo ]sc $$ hin# ^ s ^tars as Ugo Piazz;+!a, a [ toug /h\ and elliptica l ex-con$!vict who has just[_ been rel/ eased from prison. I $.mmediat *ely after his release#, Ugo is ap%)proach+ed b; y membe+ + rs of the: Milan: @ m*o!b lead by the ira$ `scible #g)+a% + ngster#@ R)=occo/ (Mar ]io A#/dorf)` )@!, _. as th)^ey suspect him to be respo`$ns?%`]ible for the disappe/arance of a large \sum o+-f money belongi *ng to th]eir boss, an #! Ameri`(#can:+=( (Lio)@ne^*l S?@tander) who controls the organized `+crime in Milan... ^,) Milan,-o Ca libro 9 is *a film that d?[% e/!l#)iv?!]ers an ast-\[%onishi- / ngly realistic mo[$ od of the un^: derwo rl-d like hardly an%$oth @er. The in^tr(ig $ui`@ng story,$line goes in hand wit? (h interes##t ;in^`)g*= [ch)aracters, raw atmosphe ,!re,^ suspens-e and brea `thtaking - acti[;on, /s/%ocial criti+-ci$sm @a/#n_.d br#ut al` = viole.nce. The film\;@ i.s simply stunning from the beginning to the end, w[h!ich is e(v ^;en intens^* ;ified by? ).the# brilliant *score, %$a col ,laboration of_ the famou+:`#s composer Luis Enríquez B%acalov @](an ,d% th,e Italian. Pro)gressive Rock ;b+ and)/ Osanna. Ugo Pi%@(!azza mu_;st %be one of* the ? most charis+_matic gangster char^, acter!s e%ver in cinema, and Ga\@[=st+*,o`_ne Mo+,-sc//h[^+in wa/!=s +th.e .prefect choice for the; role. Moschin[. deliv(ers a br\_ill#ia @nt@ performanc_ e,.: ` .and the re.st o\f t]@he ( cast i( _s also gre )at. Ma?rio Adorf is irascible like a rabid _ dog %*#(as th*%e f ^erocious gang) ster`; Ro? ?@cco, a/; ro le th .at fits h !im like a glove. The g[@ rea`t \=$Lionel# Stander fits perfectly in his role of the A %me`ri$ca`n $(=Mafia D) )on. %. The two :?cop =#charac: ters in th e ] f-\%il(-m are !) played by :%@two[( of the gre.$at $@e?=st reg# u `lars*\_$ of Italian( ,genre-cinema, Luigi Pistill/%i _and +=`Frank+[@% Wolff (who ` c_om;#mitte)(d sui*cide before the film was r_*$#el e`\[a ))sed). The _ravishing Barbara Bouchet is @astonis,h?+=^ing and incredi ;bl .y s: exy ;(in the[ r ole of Ugo Piazza . 's stripp er girlfriend. Bouchet #i !s b #;oth a stu[ nning b^/[e)auty and an excellent actre*ss an d this is doubtlessl )y one of her mos@ ??t%; memorable role s. This is al) s] o a polit ica/l fi_*lm and `(directo \r ,!Di+\$ L .eo em#-^bedded a lot of social critic is \m @: about to pics like corr %%up=[tion. Thi(+s f ilm simpl \y has eve !rything one ! _ c.=an possi_bly desi ]re in cinema,. Fi\[.lms lik%e Milano Cal==ibr-/o 9 are -[!the r(+eason why I./ l#]ove c inema. Th is ,= +is[`(*^ an abs *olute $+) mast erpiec[e in +, $ all re) .gards and,@== # without exaggeratio/)`n, one o !#]f +the gr;%-eat.(,-est Crim]e flick- ;s ever;$ made@(%! The [in$:ge.??\nious opening sc[ ene alon]/e i_ s ? more m*emorable t!)^han m\ os)t fi ( lms get in two hou;rs.
